与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).展开
8.0
Tamara Cortes 马迪亚斯·卡塔兰 Paula Dinamarca Pedro Muñoz 路易斯·杜博 Vicente Caballero Bruna Ramírez Sirena González Alexa Quijano Francisco Día Z Claudia Cabezas
6.0
克里克·威尔逊 Bryan Spellman Kelly Kidd Carla Kidd John Marrs Keon Joel 莱恩·斯莱特 Brian Christensen Scott Bolger Darren Eisenhauer Alisha Griffin Sai Piña Austin Brooks Tom Dragt Cliff Owens Patrick A. Grover Will Grimes
5.0
克劳迪奥·桑塔玛利亚 索尼娅·贝加马斯科 安娜·费泽蒂 马西米利亚诺·罗西 Andrea Giannini Marta Giovannozzi 毛里齐奥·特塞 Beniamino Marcone 塞尔吉奥·罗马诺 比亚吉奥·佛雷斯蒂里 安东尼奥·扎瓦特里 Jerry Mastrodomenico Beatrice De Mei